Введение и новые функции в Target for ArcGIS Pro 2.4

Легко импортируйте и визуализируйте, а затем делитесь своими знаниями и делайте открытия быстрее, используя уже знакомые вам инструменты ArcGIS Pro.

Введение в Target for ArcGIS Pro с описанием всех новейших функций, доступных в последней версии. Узнайте, как воспользоваться дополнительными способами визуализации и понимания данных о скважинах и недрах и предоставления совместного доступа к таким данным:

В Target for ArcGIS Pro 2.4 представлены новые функции, позволяющие импортировать и просматривать воксели Geosoft, а также визуализировать геологические интерпретации.

• Быстро импортируйте воксели Geosoft в Target for ArcGIS Pro в виде файлов формата NetCDF
• Используйте собственные функции NetCDF ArcGIS Pro для отображения, фильтрации и создания срезов вокселей для лучшей интерпретации
• Создавайте чертежи на двумерных разрезах или в трехмерных Рабочих окнах, чтобы зафиксировать свое понимание геологии и взаимосвязей между геологическими структурами.
• Легко управляйте интерпретациями и публикуйте их с помощью Esri ArcGIS Online

Обзор

Расшифровка видеозаписи

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<v Narrator>Hello, welcome to Seequent’s webinar,</v>

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on the newest release of Target for ArcGIS Pro version 2.4.

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My name is Comedic Hallett,

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and I’d like to thank you today for joining in.

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Well people are logging on here.

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I’ll just go ahead and introduce myself.

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My name is Kate Kaled

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I’m a geophysicist here at Seequent

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based in our north America branch in Toronto.

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And here at Seequent, I work largely within

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our technical team, and I collaborate often

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with our other business units as well.

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And we work together to find solutions

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for two sense professionals, such as yourselves.

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Okay, so with introductions out of the way,

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let’s dive into the agenda.

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A bit of webinar logistics.

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If you have any questions, please type them into the chat.

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And we’ll be sure to get back to you after the webinar,

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we’ll be reaching out to you via email.

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So today we’ll be going over a general overview

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of Target for ArcGIS Pro and how it can benefit

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your exploration and project workflows.

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We’re going to keep it fairly high level.

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I’m going to give you some of the highlights

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of the key features in the software.

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And for those of you who are new to

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Target for ArcGIS Pro,

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I’m going to go over some of the main functionalities,

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like Geohole import, Geohole visualization,

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cross section preshift,

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importing files like dual up grids,

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and mesh files, and how to create strip logs,

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enjoyable planning.

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What the main features out of the way,

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we’re going to go into the newest features

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that have been added to the target product,

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ArcGIS pro functionality list.

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In this next police,

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we’re very excited to introduce two new features,

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that allow you to import and visualize

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Geosoft voxels and create geologic interpretation.

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These are features that have been

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more requested by yourselves.

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I’m going to give you an in-app

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application demonstration of how

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to use these two new features,

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and I’m also going to show you how you

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can take these interpretations,

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these geologic interpretations.

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And publish them using esri’s ArcGIS online functions.

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Okay, let’s get started.

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Okay, let’s start with a general overview

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of what’s available to you as a charter

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for ArcGIS Pro user.

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Here we are in the application,

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after you download and install the software.

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Target for ArcGIS Pro appears as its own ribbon

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or menu up here at the top in ArcGIS Pro.

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The first thing we’ll probably do

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is sign in with your Seequent ID,

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so that you can access the functions in the correct ribbon.

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On the left hand side of the target ribbon,

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you see the import group.

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This import group allows me to import

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a variety of data types right into my project.

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Today we’re looking at a data set, called Mt Palmer,

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which is a gold mineralization project in Western Australia.

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So the first thing we’ll do,

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is look at the Geofill importer.

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There are a variety of ways to import drilling data.

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The first and quite common way is

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by Excel, access or by a TXT or ASCII files.

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You can also download your, sorry,

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import your drilling data with an ODBC connection.

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Either locally on your network or as a TXT file.

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And if your organization logs your drilling data

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with programs like Wire or Deposit.

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You can import data directly in from those programs as well.

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Finally, if you have a pre-existing Geosoft target project,

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the entire project can be imported

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directly into ArcGIS Pro.

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And all of the drill hole data that you import in,

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will be converted into Geodatabase format,

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which is native to esri.

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So as an example, when I select drillable data

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and then access.

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This brings up the Geoprocessing page or important data,

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from here, I can select the name of my drill hole data set.

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I can assign a spacial reference or coordinate system,

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and we can pull those in as our

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attributes of the color data, we’ll say color

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or survey data, let’s say survey.

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And then we also have the option of

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organizing our drilling data into interval and point data.

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So we can assign, geology and assay data

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to be brought in as interval data

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and structure as point data.

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Which is disparate points down the drill hole.

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Once you’ve selected your attributes,

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go ahead and press run.

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And you have already run this in the back here.

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So my data has finished importing.

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Now I can go ahead and head into the act two math group,

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and bring in my data, so that I can visualize it

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onto my 2D map or 3D scene.

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So the add data button here allows me to go ahead

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and toggle on various attributes,

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such as color, traces and my from two data.

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And once I do so, that will just load right onto my scene.

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And I can zoom in to start visualizing.

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From here, I can use the symbology tools

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to apply sizes and also offsets to the, to the symbology

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Other than drill hole data.

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I’m also able to visualize faster data by

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importing in red files or Geosoft format grid files

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to demonstrate I can select the Geosoft grid tool.

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This brings in with your Geoprocessing tool on the right.

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And from here you can go ahead and

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select the Geosoft grid that you wish to bring in.

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I want to bring in my typography.

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So I’ll go ahead and look for that in my project folder.

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And once I’m ready,

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that will get converted into a raster dataset

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and important to my Geodatabase.

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After it’s finished importing,

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it will get displayed on my map scene here,

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and we can see that it has retained the original colors

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that the geophysicist had applied to it.

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And here is an example of a first vertical

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derivative grid from a magnetic data site.

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Just to show you an example,

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the type of data that can be brought in as raster.

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One of the advantages of working inside ArcGIS Pro,

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is being able to work with multiple maps and PDCs.

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So here I have a 2D map open,

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but I can easily flip to a 3D scene by selecting

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this new drill holes scene option.

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So once I select this, I can easily flip over

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to a 3D scene just like here.

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And here, we have the same typography

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and data that we saw on the 2D map,

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along with the colors and traces.

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And I’ve also clipped my scene to the extent of my,

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the spacial extent of my drilling data.

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So that I can remain focused on my project area.

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And now I can start to visualize my data from a variety

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of predefined viewpoints or rapid visualization.

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Or, I can also use just my mouse to zoom in

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and inspect my scene.

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Once I’m in this 3D view,

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I can use the drill hole data button

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up here in the at to map group to start

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to toggle on other down hole attributes.

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Such as my assay data, or my lithology data,

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and start to visualize that in my 2D scene.

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So here I have my lithology data.

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And another feature that I want to talk about,

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is subsurface data.

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So importing subsurface mesh data.

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I can import either as an OMF file or Geosoft surface file.

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Which is an option from Oasis montaj,

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and the one that is an option of export from both voices,

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montaj, leapfrog, and target.

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I can import in mesh files, such as a gold grade shows,

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assign a coordinate system,

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and bring them right into my scene.

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So for example, here I have gold grade shows

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enclosing a specific range of grades.

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Going to go ahead and turn off my geology

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here so you can see better.

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So here I have a gold grade shell that was brought in

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as a Geosoft surface file.

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And from here,

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I can apply any native esri tool

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that I’d be able to apply to a MultiPatch object.

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Such as this.

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Great, so the next thing I want to show you

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is how to create cross sections.

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Cross sections are a data product

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widely used in the industry.

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And we’re going to go ahead and take a look at that next.

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So if you want to go from the scene

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to start creating a new cross section.

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And head to the subsurface tools group,

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select sections, and then select create.

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This will bring up the section tool.

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The first thing I want to do,

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is I want to be visualizing the scene from top

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so that I can start drawing interactively.

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And while I’m here, I can go ahead

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and press the create new section button.

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And now I can zoom into the area where

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I wish to create this cross section

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and start just drawing it in right onto my scene.

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We can see my outline there,

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and we’ll be able to see a red outline,

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delineating the extents of this cross section.

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If I’m not happy with these parameters here,

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I can go ahead and change them right here.

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So for example, the azimuth

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can be changed right on the bike.

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As the same with inclination.

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I can also apply a scale right here

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to my cross section or leave it blank.

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I can also adjust parameters

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such as the length of this cross section.

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You’ll see that adjusting on the scene there,

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the height, and also thickness of this cross section.

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So I’m going to make this 25 meters just type that in.

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And once, once I’m happy with these parameters,

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I can go ahead and press save.

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I can also create offset sections

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or multiple sections using the same parameters

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with my offset sections parallel

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to this original one right here.

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And I can do that by selecting

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this create offset section tool.

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Now you’ll see, there are now five additional

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cross sections that have been outlined on my scene.

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And I can change that number from five to lower or higher.

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I can also adjust the separation of these cross sections,

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so right now it’s set a default.

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I can change that to something like,

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let’s say 25 meters apart.

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So they’re nice and snug against each other.

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And then once I’m ready,

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I can go ahead and press.

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Pressing save will save this onto my section manager.

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And now I’m ready to start visualizing this

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in a section view and I can do so by selecting

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the section view button in the subsurface tool.

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Now that I’m in my section view,

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I have a new option here, the section view tool,

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while I’m in the section viewing mode,

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I can toggle on other parameters, such as my geology.

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I can also now start to toggle through

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00:12:56,500 —> 00:12:58,973
the various sections that I’ve just created.

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Here’s another cross section.

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I can also turn off various attributes

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00:13:05,630 —> 00:13:07,480
while I’m in the section view

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00:13:07,480 —> 00:13:11,250
and I can even go in and modify a cross section.

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Should I wish to change its parameters.

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Before we head over and start talking

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00:13:18,250 —> 00:13:20,710
about the new release features.

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00:13:20,710 —> 00:13:22,510
I want to show you one last tool,

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00:13:22,510 —> 00:13:24,485
which is this triplet tool.

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00:13:24,485 —> 00:13:28,490
This was a reporting tool added in the previous version

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00:13:28,490 —> 00:13:30,750
and the strip log tool allows you

250
00:13:30,750 —> 00:13:32,700
to create a downhole block.

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00:13:32,700 —> 00:13:36,463
Of a sequence of geologic features from a single vocal.

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00:13:37,560 —> 00:13:40,750
So once I select this, the strip log tool comes up.

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00:13:40,750 —> 00:13:44,040
The first thing I need to do is add a

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00:13:44,040 —> 00:13:46,750
template or a layout file where

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00:13:46,750 —> 00:13:51,040
I can start building this strip log like this here,

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00:13:51,040 —> 00:13:55,100
and then select a hole and assign this hole

257
00:13:55,100 —> 00:13:57,100
that I wish to visualize as a strip log.

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00:13:58,470 —> 00:14:00,490
various text options here to bring

259
00:14:00,490 —> 00:14:03,060
more information into my strip log,

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00:14:03,060 —> 00:14:06,500
and I can go ahead and preview that information.

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00:14:06,500 —> 00:14:08,800
That’s just populated right there on my scene,

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heading over to the data strips option.

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00:14:15,590 —> 00:14:18,110
I can then go ahead and apply

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00:14:18,110 —> 00:14:22,850
various data sources and attributes

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00:14:22,850 —> 00:14:24,940
and start visualizing my data either

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00:14:24,940 —> 00:14:27,540
as our plots or my thoughts.

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00:14:27,540 —> 00:14:30,963
I can also visualize my mobile logical data downfall,

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00:14:32,162 —> 00:14:34,212
and then I can go ahead and preview that,

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00:14:37,680 —> 00:14:39,853
that would then update my strip log map.

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00:14:42,720 —> 00:14:43,810
And once it’s complete,

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00:14:43,810 —> 00:14:48,280
here is my strip log for drill hole SKA347.

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00:14:48,280 —> 00:14:50,070
Once I’m happy with my strip log,

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00:14:50,070 —> 00:14:54,163
I can export it out as a PDF or another format choice.

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00:14:55,820 —> 00:14:58,270
Next, let’s talk about the newest functionalities

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00:14:58,270 —> 00:14:59,603
in Target for ArcGIS Pro 2.4.

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And the first one here we’ll talk about

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00:15:02,770 —> 00:15:04,873
is importing Geosoft voxel.

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00:15:05,980 —> 00:15:07,870
What is a voxel of exactly,

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well voxels are 3D raster models or block models.

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Which are common in subsurface exploration

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for visualizing interpolated data like geophysics,

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for example magnetic inversion,

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00:15:20,820 —> 00:15:25,100
or intercalated assay data, such as block models.

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In Geosoft oasis montage or targets.

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00:15:29,630 —> 00:15:34,630
This voxel data has XYZ information, a coordinate system.

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00:15:35,250 —> 00:15:38,760
And it also needs to have either a numerical or categorical

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00:15:38,760 —> 00:15:42,490
data that can later be mapped like this.

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00:15:42,490 —> 00:15:43,890
So in our case,

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00:15:43,890 —> 00:15:46,630
we have the magnetic data set which we saw earlier.

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00:15:46,630 —> 00:15:49,040
Let’s flip back to the application.

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00:15:49,040 —> 00:15:53,650
So this magnetic data set was then inverted

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00:15:53,650 —> 00:15:57,540
by a geophysicist using the voxy immersion tool.

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00:15:57,540 —> 00:15:59,770
And the inversion of this magnetic data side

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00:15:59,770 —> 00:16:04,770
has given us a 3D susceptibility model of the survey area,

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00:16:04,830 —> 00:16:09,290
that’s stored as a Geosoft voxel format file.

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00:16:09,290 —> 00:16:13,060
Now we wish to bring this data from oasis montaj

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00:16:13,060 —> 00:16:15,810
right into our chest probe.

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00:16:15,810 —> 00:16:17,850
And to do so, we’ll go ahead and select

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00:16:17,850 —> 00:16:21,360
this new tool here called voxels.

300
00:16:21,360 —> 00:16:24,589
And that will then bring up the import voxel

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00:16:24,589 —> 00:16:28,163
data geoprocessing tool here to our right.

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00:16:31,170 —> 00:16:34,380
This will automatically give it the same name

303
00:16:34,380 —> 00:16:37,700
or the conversion into a net CDF file

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00:16:37,700 —> 00:16:41,260
with the .nc extension.

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00:16:41,260 —> 00:16:43,820
We can also assign a variable name here.

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00:16:43,820 —> 00:16:48,760
We’ll do so as susceptibility because that’s the parameter.

307
00:16:48,760 —> 00:16:51,373
And we can also provide a description,

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00:16:53,910 —> 00:16:56,210
and we can either choose to add this voxel

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00:16:56,210 —> 00:17:00,543
to our current scene or onto a new voxel scene.

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00:17:01,679 —> 00:17:03,443
And we can select run to import.

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00:17:05,720 —> 00:17:09,000
Now in our 3D scene, we will have imported

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00:17:09,000 —> 00:17:12,350
the total susceptible, the magnetic susceptibility

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00:17:12,350 —> 00:17:14,740
voxel right into our 3D scene.

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00:17:14,740 —> 00:17:17,983
And we can see the colors and traces are there as well.

315
00:17:20,020 —> 00:17:22,370
Here, I can see the susceptibility voxel

316
00:17:22,370 —> 00:17:27,073
on the drawing order, heading over to the appearance tool.

317
00:17:28,050 —> 00:17:30,048
Will then allow me to select

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00:17:30,048 —> 00:17:33,630
various symbology for this voxel.

319
00:17:33,630 —> 00:17:36,563
So now I can start to apply various color schemes.

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00:17:36,563 —> 00:17:39,280
Should I wish to apply a different color scheme?

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00:17:39,280 —> 00:17:40,470
I can do that.

322
00:17:40,470 —> 00:17:45,400
And I can also apply various data filters to this voxel.

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00:17:45,400 —> 00:17:48,280
So, let’s say I wish to visualize

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00:17:48,280 —> 00:17:52,530
from 0 to 0.08,

325
00:17:52,530 —> 00:17:55,120
which is the entire range I can do that here.

326
00:17:55,120 —> 00:17:58,973
Or I can go ahead and adjust this interactively.

327
00:18:04,140 —> 00:18:06,200
So this has been now visualizing

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00:18:06,200 —> 00:18:09,280
only the highest susceptibility values

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00:18:09,280 —> 00:18:10,993
in this particular voxel.

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00:18:16,610 —> 00:18:17,810
And I’ll go ahead and visualize

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00:18:17,810 —> 00:18:20,053
the full extent of this data set here.

332
00:18:21,250 —> 00:18:23,150
And head over to my data tab,

333
00:18:23,150 —> 00:18:26,283
and click on this slicer section tool.

334
00:18:27,320 —> 00:18:29,649
This enables this slicer section tool here at the bottom,

335
00:18:29,649 —> 00:18:34,649
and now I can select either vertical or horizontal slice.

336
00:18:36,510 —> 00:18:38,110
I’ve selected the vertical here,

337
00:18:39,130 —> 00:18:41,340
now clicking right onto my voxel here,

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00:18:41,340 —> 00:18:44,253
I can start to slice the section vertically.

339
00:18:49,126 —> 00:18:52,090
And you can kind of see the slicer

340
00:18:52,090 —> 00:18:54,053
moving as I move my mouse here.

341
00:19:01,440 —> 00:19:03,370
And once I’ve selected the slice,

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00:19:03,370 —> 00:19:06,270
it brings up the slice tool here on the right.

343
00:19:06,270 —> 00:19:08,113
I’ll close up the symbology tool.

344
00:19:13,210 —> 00:19:15,530
And now it can go ahead and adjust the position

345
00:19:15,530 —> 00:19:20,530
using the sliding bar to slice through my voxel seen here.

346
00:19:20,600 —> 00:19:23,803
And I can also change things like the orientation,

347
00:19:25,650 —> 00:19:26,973
and also the tilt.

348
00:19:31,920 —> 00:19:33,960
Each time you create a new slice,

349
00:19:33,960 —> 00:19:38,260
it gets stored under slices under your drawing content.

350
00:19:38,260 —> 00:19:42,443
And you also have the option of going in and naming these.

351
00:19:45,840 —> 00:19:48,090
So then you can later come back to it easily.

352
00:19:50,370 —> 00:19:52,593
We also select horizontal slice.

353
00:19:54,170 —> 00:19:57,443
Similarly, create horizontal slices through your voxel.

354
00:19:59,730 —> 00:20:02,860
Revisit your saved slices right on your 3D scene

355
00:20:02,860 —> 00:20:04,750
by toggling them on.

356
00:20:04,750 —> 00:20:06,748
Your side vertical one.

357
00:20:06,748 —> 00:20:09,012
And here are some horizontal one.

358
00:20:09,012 —> 00:20:10,362
And here they are together.

359
00:20:11,480 —> 00:20:13,073
We can also create Isosurfaces,

360
00:20:14,190 —> 00:20:17,923
by switching from the volume mode to surfaces.

361
00:20:20,590 —> 00:20:24,500
Enables us to bring up the create Isosurface tool.

362
00:20:24,500 —> 00:20:25,944
We’ll go ahead and select that.

363
00:20:25,944 —> 00:20:29,393
We’re going to rename this and call this susceptibility.

364
00:20:30,460 —> 00:20:31,293
High.

365
00:20:33,130 —> 00:20:36,000
So these are going to be my high susceptibility values,

366
00:20:36,000 —> 00:20:38,275
and I can go ahead and define that.

367
00:20:38,275 —> 00:20:42,510
Just by using this, the sliding bar here.

368
00:20:42,510 —> 00:20:44,590
You can also go ahead and adjust the color

369
00:20:44,590 —> 00:20:46,983
and the transparency of this,

370
00:20:48,330 —> 00:20:49,180
and this we’ll go ahead

371
00:20:49,180 —> 00:20:51,030
and save this under your Isosurfaces.

372
00:20:52,787 —> 00:20:54,599
Repeat this process to create more

373
00:20:54,599 —> 00:20:57,500
Isosurfaces of ranges you wish

374
00:20:57,500 —> 00:20:59,213
to create for your voxel.

375
00:21:00,340 —> 00:21:02,280
Now I have selected a mid-range here.

376
00:21:02,280 —> 00:21:05,235
And again, that’s shown up here on my scene.

377
00:21:05,235 —> 00:21:07,570
And I can go ahead and now toggle on each of these

378
00:21:07,570 —> 00:21:10,903
Isosurfaces on to start inspecting and visualizing.

379
00:21:13,560 —> 00:21:16,510
Instead of visualizing your voxel as a

380
00:21:16,510 —> 00:21:20,070
3D slice or an Isosurface,

381
00:21:20,070 —> 00:21:22,993
you can also create 2D sections.

382
00:21:27,430 —> 00:21:30,800
And that would then bring up this static to the section,

383
00:21:30,800 —> 00:21:33,800
which you can modify and save

384
00:21:33,800 —> 00:21:36,597
just like we did the Isosurfaces and the voxeles.

385
00:21:37,751 —> 00:21:40,363
And of course, all of these can be viewed together.

386
00:21:42,340 —> 00:21:44,470
Okay, Let’s switch back to the

387
00:21:44,470 —> 00:21:46,400
PowerPoint here for a second,

388
00:21:46,400 —> 00:21:48,020
the next feature we’ll be visiting,

389
00:21:48,020 —> 00:21:51,980
is the new tool creates a Geologic interpretation,

390
00:21:51,980 —> 00:21:54,160
And this is trimmed down version

391
00:21:54,160 —> 00:21:56,470
of the existing create feature class tool,

392
00:21:56,470 —> 00:21:58,460
which you may already be familiar with.

393
00:21:58,460 —> 00:22:02,170
As, and as we observe, and with this tool,

394
00:22:02,170 —> 00:22:05,530
we can create future classes,

395
00:22:05,530 —> 00:22:07,912
and then store these feature classes.

396
00:22:07,912 —> 00:22:12,912
Which are organized as Geologic drawings or interpretations,

397
00:22:12,940 —> 00:22:16,860
right on your cross sections or your 3D view.

398
00:22:16,860 —> 00:22:18,750
You can edit these drawings

399
00:22:18,750 —> 00:22:20,920
and then visualize them with the rest of your drilling data.

400
00:22:20,920 —> 00:22:22,900
And you can also share these

401
00:22:22,900 —> 00:22:26,350
interpretations with your colleagues.

402
00:22:26,350 —> 00:22:29,573
So let’s switch back to our ArcGIS Pro to demonstrate this.

403
00:22:31,430 —> 00:22:34,940
So here I have a new global scene open.

404
00:22:34,940 —> 00:22:37,870
This is going to be my interpretation global scene,

405
00:22:37,870 —> 00:22:40,573
and I’m here in a section view.

406
00:22:41,950 —> 00:22:45,520
So now I can go into my geologic interpretation tool here

407
00:22:45,520 —> 00:22:49,183
and start to create a new feature class.

408
00:22:52,180 —> 00:22:54,500
So this brings up the Geoprocessor on the right,

409
00:22:54,500 —> 00:22:57,220
and we can go ahead and name our feature class.

410
00:22:57,220 —> 00:22:58,710
Let’s say we want to digitize

411
00:22:58,710 —> 00:23:03,210
the overburden layers in this particular project area.

412
00:23:03,210 —> 00:23:04,783
I’ll call this the overburden.

413
00:23:07,820 —> 00:23:08,870
I’m here.

414
00:23:08,870 —> 00:23:11,530
I can either select whether I want to digitize

415
00:23:11,530 —> 00:23:16,530
a MultiPatch or a polyline type object.

416
00:23:16,600 —> 00:23:18,150
I’m going to select MultiPatch.

417
00:23:19,740 —> 00:23:24,740
The attribute that I wish to digitize here or draw here,

418
00:23:25,060 —> 00:23:27,762
will be this alluvium group,

419
00:23:27,762 —> 00:23:31,540
as visualized with this cobalt mineralogy here.

420
00:23:31,540 —> 00:23:34,653
And I’m going to go ahead and give it the same color.

421
00:23:41,900 —> 00:23:44,470
And then I can go ahead and save this.

422
00:23:44,470 —> 00:23:48,333
Just have to remove the space, and press okay.

423
00:23:50,410 —> 00:23:53,229
This has now created a new

424
00:23:53,229 —> 00:23:56,713
alluvium layer in my drawing content.

425
00:23:58,160 —> 00:24:01,260
I can then go into the Geologic Lynch rotation tool here,

426
00:24:01,260 —> 00:24:03,953
and start to draw right on this cross section.

427
00:24:07,260 —> 00:24:08,920
From the create features tool,

428
00:24:08,920 —> 00:24:10,798
I want to ensure that the create

429
00:24:10,798 —> 00:24:14,000
3D geometry tool is selected here.

430
00:24:14,000 —> 00:24:17,320
This brings up the 3D geometry editor,

431
00:24:17,320 —> 00:24:21,530
and now they can go in and start to digitize points

432
00:24:21,530 —> 00:24:23,250
right on this plus sections.

433
00:24:23,250 —> 00:24:25,473
And I’ll just demonstrate that now.

434
00:24:33,020 —> 00:24:36,610
Select finish and then save to go ahead and say.

435
00:24:38,230 —> 00:24:41,540
Now that we’ve completed digitizing on one cross section,

436
00:24:41,540 —> 00:24:43,190
we can go ahead and toggle

437
00:24:43,190 —> 00:24:45,860
through the rest of our cross sections.

438
00:24:45,860 —> 00:24:48,790
Carry out the same process that we just did.

439
00:24:48,790 —> 00:24:50,450
And complete the digitization

440
00:24:50,450 —> 00:24:53,663
of the alluvium layer on the rest of the cross sections.

441
00:24:55,612 —> 00:24:58,050
Feel free to come out of the section view

442
00:24:58,050 —> 00:25:00,200
by pressing the section tool button.

443
00:25:00,200 —> 00:25:05,200
To visualize and inspect for interpretation progress in 3D.

444
00:25:07,000 —> 00:25:10,620
Here, I’ve gone ahead and digitized multiple cross sections,

445
00:25:10,620 —> 00:25:13,330
and here they are in 3D.

446
00:25:13,330 —> 00:25:14,990
I showed you how to create drawings

447
00:25:14,990 —> 00:25:18,020
as MultiPatch objects, such as these.

448
00:25:18,020 —> 00:25:20,540
We can also replicate the exact same process,

449
00:25:20,540 —> 00:25:22,107
to create polylines.

450
00:25:23,400 —> 00:25:26,840
Let’s say we want to outline the top of a horizon,

451
00:25:26,840 —> 00:25:28,890
or the top of the rock logic layer,

452
00:25:28,890 —> 00:25:31,793
or perhaps the bottom of a hydrogeologic layer.

453
00:25:32,670 —> 00:25:34,760
To do this, let’s head back to the

454
00:25:34,760 —> 00:25:37,310
Geologic interpretation tool.

455
00:25:37,310 —> 00:25:38,590
We’re going to select the same

456
00:25:38,590 —> 00:25:41,343
pre feature class tool we selected before.

457
00:25:42,400 —> 00:25:45,470
However this time, instead of selecting MultiPatch.

458
00:25:45,470 —> 00:25:47,593
We’re going to select polyline,

459
00:25:49,450 —> 00:25:51,840
In this project, we have iron formation

460
00:25:51,840 —> 00:25:54,510
that’s associated with gold mineralization.

461
00:25:54,510 —> 00:25:58,750
We want to interpret this, the top of this iron formation

462
00:25:58,750 —> 00:26:01,660
using the polyline drawing tool.

463
00:26:01,660 —> 00:26:03,760
I’m going to go ahead and give this name,

464
00:26:03,760 —> 00:26:05,787
and call it iron formation.

465
00:26:11,970 —> 00:26:14,540
And the layer that I want to digitize,

466
00:26:14,540 —> 00:26:15,973
will be denoted by Fe.

467
00:26:18,198 —> 00:26:20,423
And the color I’ll assign will be red.

468
00:26:23,110 —> 00:26:25,860
Remember, we can always go ahead and modify this later.

469
00:26:28,630 —> 00:26:31,150
And that will create the new feature class.

470
00:26:31,150 —> 00:26:32,270
Once that’s created,

471
00:26:32,270 —> 00:26:35,203
let’s head into section view to illustrate this better.

472
00:26:41,070 —> 00:26:43,157
So here we are in section view.

473
00:26:43,157 —> 00:26:46,740
I’m going to go ahead and start to digitize

474
00:26:46,740 —> 00:26:51,393
the iron formation that we see here in orange color.

475
00:26:53,490 —> 00:26:55,080
Using the snapping guide lines.

476
00:26:55,080 —> 00:26:59,410
I’ll go ahead and create that drawing.

477
00:26:59,410 —> 00:27:02,863
And once I’m done, right click and finish.

478
00:27:05,240 —> 00:27:07,733
And of course, don’t forget to save your edits.

479
00:27:10,140 —> 00:27:11,330
Coming out of section view,

480
00:27:11,330 —> 00:27:14,440
we can now start to see all of our digitizations

481
00:27:14,440 —> 00:27:15,723
right here in 3D.

482
00:27:17,832 —> 00:27:20,320
I’m going to turn off the geology layer there.

483
00:27:20,320 —> 00:27:22,070
So you can see a little bit better.

484
00:27:24,490 —> 00:27:26,757
And here are the rest of my digitizations

485
00:27:26,757 —> 00:27:28,560
for the top of the iron formation.

486
00:27:28,560 —> 00:27:30,803
As well as the overburden layer.

487
00:27:33,460 —> 00:27:34,400
Last but not least,

488
00:27:34,400 —> 00:27:36,830
I want to show you how you can share your

489
00:27:36,830 —> 00:27:38,910
geologic interpretation along with the

490
00:27:38,910 —> 00:27:42,940
rest of your data to as raised web scene.

491
00:27:42,940 —> 00:27:47,930
Head over to the share ribbon in the ezri menu

492
00:27:47,930 —> 00:27:50,600
and from here, select web scene.

493
00:27:50,600 —> 00:27:55,370
This brings up the interpretation menu here on the right.

494
00:27:55,370 —> 00:27:59,503
Give your project a name, a brief summary,

495
00:28:00,690 —> 00:28:03,230
as well as a few tags,

496
00:28:03,230 —> 00:28:05,610
and then make sure you select whether or not

497
00:28:05,610 —> 00:28:09,040
you want to share this with everyone or the public,

498
00:28:09,040 —> 00:28:11,530
or just within your organization here.

499
00:28:11,530 —> 00:28:14,033
I’ve made my web scene showable with the public.

500
00:28:16,130 —> 00:28:17,550
Click on the analyze button,

501
00:28:17,550 —> 00:28:20,320
to check if there’s going to be any issues

502
00:28:20,320 —> 00:28:24,283
or bottle necks before you cook and upload your scene.

503
00:28:26,600 —> 00:28:29,500
The analyzer tool lets me know that there was no issues

504
00:28:29,500 —> 00:28:31,766
or errors with this particular project

505
00:28:31,766 —> 00:28:33,960
and it’s ready to be published.

506
00:28:33,960 —> 00:28:35,440
We’ll go ahead and press share,

507
00:28:35,440 —> 00:28:38,003
so that it can now be shared with the public.

508
00:28:43,000 —> 00:28:45,860
Once the scene is shared to the web scene,

509
00:28:45,860 —> 00:28:48,410
you can go ahead and start visualizing it.

510
00:28:48,410 —> 00:28:50,290
Here, I’ve got my wireframes,

511
00:28:50,290 —> 00:28:52,690
and I’ve also created a few slides

512
00:28:52,690 —> 00:28:55,830
to easily access various bookmarks.

513
00:28:55,830 —> 00:28:59,903
Here I’ve got the wireframes, the colors and the traces.

514
00:29:01,660 —> 00:29:03,510
On another slide here, I’ve got my

515
00:29:03,510 —> 00:29:06,433
assay data and my gold show.

516
00:29:08,230 —> 00:29:09,493
Here’s my lithology.

517
00:29:13,370 —> 00:29:16,033
Here’s the Geophysics data that I showed you earlier,

518
00:29:18,110 —> 00:29:21,370
toggle on some of these options to start visualizing

519
00:29:21,370 —> 00:29:24,000
additional attributes.

520
00:29:24,000 —> 00:29:25,020
And then once you’re ready,

521
00:29:25,020 —> 00:29:26,640
click on the share button,

522
00:29:26,640 —> 00:29:29,040
and there should be a short link ready to share.

523
00:29:30,480 —> 00:29:32,530
I’d like to close out by noting,

524
00:29:32,530 —> 00:29:34,960
that Target for ArcGIS Pro 2.4

525
00:29:34,960 —> 00:29:39,377
now supports ArcGIS Pro version 2.7 and 2.8.

526
00:29:40,287 —> 00:29:44,120
And this version we’ve also made significant improvements

527
00:29:44,120 —> 00:29:48,080
to our symbology updates and performances.

528
00:29:48,080 —> 00:29:52,010
I could thank you for joining in today, on today’s webinar.

529
00:29:52,010 —> 00:29:54,620
Hope you found today’s session helpful.

530
00:29:54,620 —> 00:29:57,310
If you have any questions or comments,

531
00:29:57,310 —> 00:29:59,980
please leave them in the chat window here.

532
00:29:59,980 —> 00:30:03,270
I’ll leave the session running for a little while longer,

533
00:30:03,270 —> 00:30:05,280
so you can submit your questions

534
00:30:05,280 —> 00:30:08,930
and we’ll be sure to get back to you by now.

535
00:30:08,930 —> 00:30:10,013
Thank you so much.